Carl Larsson
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Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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Eduard Magnus
Portrait der Mathilde Grafin zu Lynar, geb. Grafin von Voss-Giewitz
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ID: 92865

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Eduard Magnus Portrait der Mathilde Grafin zu Lynar, geb. Grafin von Voss-Giewitz


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Eduard Magnus

(January 7, 1799 - August 8, 1872) was a German painter. Magnus was born in Berlin, and studied simultaneously at the Berlin Academy of Art, Bauakademie, and University of Berlin. He later traveled to Paris and Italy, returning to Germany in 1829. He went to Italy again in 1831, and traveled through Paris and England before returning again in 1835. In 1837 he became a member of the Academy of Art, and in 1844 a professor. From 1850 to 1853 he traveled to France and Spain. He died in 1872 in Berlin. He was for a time the preeminent portrait painter in Berlin. Eduard Magnus was the elder brother of the physicist and chemist Heinrich Gustav Magnus.   Related Paintings of Eduard Magnus :. | The League Long Breakers Thundering on the Reef | The Adoration of the Magi dh | ulei pe carton | karl nordstrom varbergs faste | Wild ducks hanging on the wall, and the Orange |
Related Artists:
Gabriel Metsu
1629-1667 Dutch Gabriel Metsu Galleries One of his earliest pictures is the "Lazarus" at the Strassburg Museum, painted under the influence of Jan Steen. In 1653 under the influence of Rembrandt he painted "Woman taken in Adultery," a large picture which is now in the Louvre. To the same period belong the "Departure of Hagar," formerly in the Thore collection, and the "Widow's Mite" at the Schwerin Gallery. But he probably observed that sacred art was ill suited to his temper, or he found the field too strongly occupied, and turned to other subjects for which he was better fitted. That at one time he was deeply impressed by the vivacity and bold technique of Frans Hals can be gathered from Lord Lonsdale's picture of "Women at a Fishmonger's Shop." What Metsu undertook and carried out from the first with surprising success was the low life of the market and tavern, contrasted, with wonderful versatility, by incidents of high life and the drawing-room. In no single instance do the artistic lessons of Rembrandt appear to have been lost upon him. The same principles of light and shade which had marked his schoolwork in the "Woman taken in Adultery" were applied to subjects of quite a different kind. A group in a drawing-room, a series of groups in the market-place, or a single figure in the gloom of a tavern or parlour, was treated with the utmost felicity by fit concentration and gradation of light, a warm flush of tone pervading every part, and, with that, the study of texture in stuffs was carried as far as it had been by Ter Borch or Gerard Dou, if not with the finish or the brio of De Hooch. One of the best pictures of Metsu's manhood is the "Market-place of Amsterdam," at the Louvre, respecting which it is difficult to distribute praise in fair proportions, so excellent are the various parts, the characteristic movement and action of the dramatis personae, the selection of faces, the expression and the gesture, and the texture of the things depicted. Equally fine, though earlier, are the "Sportsman" (dated 1661) and the "Tavern" (also 1661) at the Hague and Dresden Museums, and the "Game-Dealer's Shop," also at Dresden, with the painter's signature and 1662. Gabriel Metsu, Man Writing a Letter (1662-1665), Oil on canvas, National Gallery of Ireland, DublinAmong the five examples of the painter in the Wallace Collection, are "The Tabby Cat," and "The Sleeping Sportsman," which cost Lord Hertford £ 3000, is an admirable example technically considered. Among his finest representations of home life are the "Repast" at the Hermitage in St Petersburg; the "Mother nursing her Sick Child" in the Rijksmuseum in Amsterdam; the "Amateur Musicians" at the Hague Gallery; the "Duet" and the "Music Lesson" at the National Gallery, London, and many more examples at nearly all the leading European galleries. Five of his painting are in Dresden, collected by August the Strong.
J.L.Clark
British 19th c
Daniel Schultz
(1615 - 1683) was a famous painter of the Baroque era, born and active in the Polish - Lithuanian Commonwealth. He painted many Polish and Lithuanian nobles, members of the royal family, local Patricians, such as the astronomer Johannes Hevelius, and animals.






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